djs classic mastercut is a brand new label focused on releasing original material from timeless artists. our releases will be only for djs / limited edition / color vinyl and no promos. for this 3rd release, we bring you the best of the best & obviously the rarest 12 inches around! a side comes up with the great >scrappy - freeze< originally released in 1988 and for the first time the legendary limelight extended mix available (more than 8 mn of pure acid madness), this is the mix that was heavily played by the original chicago masters back in those days & if you need a record to bang a party, this is the right one. a cornerstone for todays timeless djs, even rvng intl aka tim sweeney compiled it in 2005.on b1, we have the infamous >pleasure zone - fantasy<, all about drums, acid & insane vocals from 1988. b2, >hercules - lost in the groove< done in 1987 by the wonderfull marshall jefferson, all about drums, claps and some timeless vocals circa chicago in the late 80s. this is almost a gospel track!

already supported and played by djulz, mathias kaden, brothers vibe, tadeo, falko brocksieper... rosario is back to esperanza with our beloved franco cinelli. evolving on every single release, franco makes a strong comeback after his warehouse ep. the a side >green & blue<, that also names the ep, shows us his style in full effect with grooooovy percussive hints, analog touches, old school flavour and lot of sunrays. on the flipside, damian schwartz reworks the track turning it into a trippy detroit house affair perfect for every real >party lover< (yeah, for the ones who stay until late). >blue before sunrise< is the track for late night, sunset, sunrise, afterparty, warmup, etc. versatile, isnt it? but such a beautiful relaxed atmospheric song should be part of any classy session. enjoy the beats! its limited to vinyl and just 500 copies!.

the next installment from the new beyond imprint is with us, featuring two newcomers from the thriving us underground, kapuchon & benny rodriques. the pair bring a magical detroit infused collection of warm, urgent and modern house music into our peripheral vision where its simply hard to ignore … like a well loved vintage drum machine tweaked to perfection, or a dusty old synth rejuvinated, >and again< draws inspiration from the rich synthesised landscapes of classic detroit techno, however adds a totally fresh and modern aesthetic, through its use of precise drum fills and beatifully crafted harmonies. on a more thoughful, soulful tip, >unexpected< unravells itself with smooth chord atmospheres, driving, solid-state percussion and teasing delay fx. the story might be a familar one to those who have their ears firmly pressed to the dancefloor, but for good reason, as these two fine storytellers have crafted a golden moment for the late, late hours. the acidic ride of >potato tomato<, with its pushing sub bass and glistening crescendos is perhaps the toughest cut of the e.p, and delivers the energy where its needed whilst still holding onto that classic, deep-as-dawn chicagotodetroit vibe.

the debut record of ritmolider kaleidoscope is a traditional studio work with live performance and classic analog sound. being in the era of nu disco and re edits the author has tried to find his own way of making music based on traditional methods of performance. and hes got a beautiful symbiosis of instrumental improvisations and electronic melodiousness. at the begining of the record theres a superb remix by the beat broker - deep, groovy synth disco, highly recomended for dancefloor! the second track is a journey into obscure psychedelic funk with lots of improvisations and atmospheric tunes....a pity so sweet percussions are added so late. b2 tonight at the discotheque will carry you away by the real soviet disco vibe. a beautiful arp solo softly flowing through amazing effects and acoustic drums focused on free played funky basslines. the original version of kaleidoscope is also a very interesting one. a mood of this composition is changed all the time. the first seconds of the track you hear a tender melodic solo which makes you feel calm and relaxed, then you get the groove coming from an agressive arpeggio and dinamic percussion. soon this feeling gets interrupted with a sudden slap bass impromtu playing together with a synthy accompaniment, and it turns into another feeling, and so on... this really reminds of kaleidoscope effect!

this killer house groove was inspired by the guys listening to loads of kevin saunderson stuff from the late 80s and cant you just tell. after the success of >shaboo< this one will be as big if not bigger. check the clip to see why !!

the pump ep is a typically genre-bending mixture of pumping, groovy house tracks, exploring the many sides of this highly regardedproducers fruitful repertoire. lead track the pump is a vivacious number that takes a clean, modern house aesthetic as a base and later infuses it with a dirtier, earlier morning vibe, with phoniques playful use of the resplendent chord stabs. its a slow burner indeed, and yet another example of his effortless arrangement talents. fancying a spot of fresh air and a trip into the audio countryside, bike ride is an even more playful journey into the kooky electronic world of phoniques studio outings. solid drums and warm sub bass provide the energy for all manner of pops and tweaks to unfold. its another deeper track but be warned it still has the power to lift a crowd up onto its tip-toes. going down more of a techno route, tooltime completes the package and breaks out the big guns for some serious heads down dancefloor ignition. urgent and tight late night action, not for the faint of heart, the tracks title is too modest - it should really read ‚ peak time

complot records is proud to present hanssens debut ep! with complot09 we finally get to taste delicious music from hanssen aka bob hansen (half of jacob london). we also have an exciting remix from complot co-founder dafluke. >velvet deer decals< possesses a groove that will keep you going on and on and on... hanssens skillful use of deep filtered harmonies will take you back to that good old late 90s house vibe. the beats and stabs are visceral, dense and powerful with filtered vocal cuts that sprinkle the track with sweetness. on the b side, >wtfstep< brings the funk to your doorstep! we are talking very bouncy and punchy dancefloor goodness with a contagiously dark bassline ... ..real party music! finally, theres no question dafluke expanded on his bag of tricks for his remix of >velvet deer decals<. this dissonant loopy groove is laced with other-worldly sound fx to shock and excite your ears... with a beat like a taser jolt to your feet!ken ishii : wow, interesting and fresh music here! b1 and b2 rock. / pheek : charted the dafluke remix, huge support! / mannel : i cant find the words, its perfect! the wftstep is my favorit! thanks! all the best! / tom baker : yeah loving the dafluke remix and party vibe in wftstep! nice one ! mika kalio (opossum / komplex audio)deep, dark, dubby, delcious..will be played in the next opossum radio show - and in the discotheque ass well ...

get digital is off to a blazing start after the release of the mini hit >kaskazi< from simon baker and jamie jones and the well received travelling the world ep from the fresh and talented mac neumann. now we are proud to invite the veteran thomas schumacher who has produced with elektrochemie & dj t. and recorded for legendary labels such as bush, gigolo, get physical and his own spielzeug schallplatten. schumacher is a true producers producer and we are sure these two distinctive orchestrations are sure to love up the dance every time. >hot< is something that would come to mind if one heard the word >picanha<, in passing. and without a doubt the main track >picanha< is hotter than a stolen jalapeño in july. precisely layered percussion, meticulously situated effects and drums tuned with minutiae detail are the backbone of this track, but the groove comes courtesy of the schumacher brass orchestra.

the spirit of the late seventies and early eighties jazz funk of roy ayers, incognito, and donald byrd, these two jazz influenced landscapes include the dance floor acclaimed and arthur russell inspired >jazz funk freedom< and >sweet chocolate<, a hot colab with engineer richard brooks

whether it is early december or late august, gel abril keeps it hot or cool - depending on which side of the equator youre on - with an exceptional 12inch of synth soaked, bleep saturated and tech drenched house. all exclusively produced by the talented shlomi aber in their hometown of tel aviv, israel. collectively they have released on josh winks ovum rec as well as their own acclaimed be as one imprint. eerie sounds meshed with techno chirps are trademark elements of the be as one crew sound, but it is the dramatic synth chord breakdowns and perfectly plump and rounded kick drum that stand out in this outing. so plump and juicy in fact, one can almost get lost in >miranda< through the rhythmic thudding of the pristine bass drum. suddenly a parade of jumbled synth snippets frolic and bobble around like umpa lumpas randomly jumping on a trampoline. think this track is all fun and games? play this peak time and watch the crowd do the >tel aviv shuffle<. don t know what that is? watch it appear before your eyes as the hypnotic sound washes over the ears of the captivated crowd

omanko is the only word that is unmentionable in japanese media and public speech. its also the next single from catz n dogz - a strange hybird of cinematic swells, quirky natural drums and popping guitar plucks. its unorthodox groove builds relentlessly, anchored by a shouting chorus and warm bass bubbles that swell from the depths like some massive ancient sea creature. they take their time building to the climax, finishing the track with late-entering keyboard theme that quickly swirls into a frenzy. perfect for tipping that peaktime crowd over the edge! the italoboyz remix completely remolds the groove to fit their distinctive vision, seamlessly integrating shards from the original into their tension-fuelled agenda. breakdowns of varying sizes dominate the sonic landscape, as their annihilating kick plays hide and seek with the strings throughout the track. finally, all the elements are reunited by the echo-drenched vocal line and percussive baritone sax stabs – a satisfying finale to this latenight masterpiece.

boogie corporation is a project thats all about creating new music thats inspired by leftfield disco, electrofunk , alien abductions and terry thomas movies. early expeditions to outer space funk where conducted on 20:20 vision recordings recordings in the form of the rather out there lay the funk and dirty rip eps. and the good news is that boogie corporation are back and they are on a mission to bring back the boogie! bc are planning new missions to boldly go where no electronic discotheque has gone before. join us before its too late!

this volume showcases a highlight form the underground alias of heller & farley, roach motel. the night was originally a hit amongst the heads from london to new york through the late 90s. here romanian new kids on the block livio & roby (who have had recent success on steve lawlers harlem nights label) follow in the footsteps of minimal superstars pedro, raresh and rhadoo in taking the relentless romanian house sound to the mainstream.

transmissions florales is massis first vinyl release. the density of the 808 drums reminds us this is synthetic from the start. but as the the swirling, phasing 7th chords and the crystal-like lead tones build up and blend with the laid-back wah-wah guitars, this simple song take us to some sensual, forgotten place with swaying limbs and flashing lights. with a few changes in structure and the timbre of the bass, the acid mix proposes an alternate scenario - gliding to the edge of madness with a wink at raving in the late 80s. are we in the disco? or at the seashore? keep on moving, keep on flying. bionic gulls call to each other over the oceans arpeggios. >alpha base< uses a similar synth palette, but with quite different results. rather than waves, this piece seems to evoke dramatic weather over a jagged terrain. the funky, syncopated bass and percussion remind us of some ancient tribal ceremony on parched soil. odd sound effects imitate the heat and sudden shots of lightning, while the ascending pentatonic breaks suggest a primitive electronic geisha, draped in mylar foil, deflecting the suns rays as she dances for the gods. she performs an intricate sequence of steps, each with its own placement and hidden meaning… having spent the past 2 years entertaining crowds at underground clubs in berlin and around the eu, massi is already somewhat known to those who enjoy dancing to whatever is eclectic, energetic, and atmospheric. now, perhaps more people will hear his special groove. we hope you share our joy, our obsession… and the particular oscillations from this very personal >transmission florale<

volume 7 of the late night house session series!! dj romain at its best again!!

dennis ferrers the world as i see it album is still being listened to and its tracks are still being played, hence the remixes are gonna keep on comin… one of the most memorable tunes from the album, run free, is seeing remixes by 2 very distinct and quality remixers oddly found at opposite ends of the earth. uks sean mccabe debuts his talent for king street after having had past remixes and productions released on soulfuric deep, fluential, device, soundmen on wax, tony records and more. his chunky beat-filled interpretation of this single has a tough enough bass drum and nice enough funky key jabs as to keep the great energy flowing but not overpower the song. japanese-nyc transplant producer tomo experience grooves and soothes the eardrum. his easy kicks and lightly bouncing bassline puts a nice spin on this tune, all the while kt brooks (r.i.p.) fervent vocal laying atop the 2 re-product ions. check out these cool remixes for great measure and greater flow.

support by gregor tresher, mathias kaden, reboot, vera, d julz, raresh, federico molinari, dorian paic… moon harbour stays international with their 40th release. this time with the focus on the vibrant french club scene. alexis bernard aka seuil has already been releasing a bunch of groundbreaking eps on labels like minibar, einmaleins or freak n chic since 2006. this year he founded his own label called eklo with such hi-class acts as lauhaus and miss fitz. for his first ep on moon harbour recordings he presents 3 top notch house tracks with profound melodies and cleverly layered rhythms. >double room< consists of subtle sounds and a very likable vocal sample - driving with a high dose of funk! >she percs me< on the flipside is a bit more straight. percussive rhythms and playful licks perfectly display seuils musically advanced ideas. last but not least and a bit more on the relaxed side we have >no time for love<. a shy piano works its way through the track and makes it a perfect tune for some real late night magic.

waowww ! tunes alerts on this 12inch sampler featuring the versatile all star with only new and exclusive tracks from i:cube, joakim, chateau flight and dj ringardos taken from the compilation >versatile 2008< !!! first, i:cube goes italo disco with >supernovac< ! a title that sounds like i:cubes reply to smith n hacks masterful « space warrior ». on a2, joakim is back with a disco/rock monsters : >love & romance & a special person<! its first new track since his last album ! arpeggios and robotic words of love. the compelling sensation of listening to american fm in the mid-80s on a beat-up radio. novel and full of charm. b side bring us back chateau flight with >la roquette<, a minimal/acid stuff ! this throbbing and druggy techno cut shows us how this french duo can explore all the dance music sides ! and last but not least, this 12 inch delivers us a mysterious and mighty newcomer, dj ringardos, with >was better in 88< ! who thinks hes fingers, inc.? piano cocktail and little flutes tell the story of the hidden treasures of deep house from the late 80s...

sampler from 1998 with stasis, mark broom vs ben sims, anxiety society and vincent d

dubbyman is at his best on this >dubless ep< and surely proves to be a man to look out for

here we have three tracks from the >some other country< album (k7 records 2007) smile and receive - roger 23 mix : featuring cassy (panorama bar) on vocals . remixed by the analog freak , roger 23 (playhouse /240 volts) hailing from deepest saarbrucken . super sub chicago house track , perfect for late night early morning playing .......pure analog heaven! imagine a morning at studio 54 projected into 2008 - wonky goodness. claktronic - experimental live percussion, flutes, and strange ramblings from the voice of daisy densham (aged 4) , add atmosphere to this swiss inspired house tune . why swiss you ask ? well i keep hearing cowbells! a very trippy vibe that gets into your brain, you will be hearing the loop all day. distress and calling - a blissful philip glass inspired sub bass growler , euphoric arpeggiated voices pad over the deep bass and tight snare drum , making up a fine ep of classic swayzak ........ the bigger the system the better this one sounds. crystal clear production all the way

on the aptly titled baked goodies ep, berlin meets san francisco as iz returns with his first original release since 2005! you ll find all the movement and spacey funk of that classic joshua sound, with a whole lot of bleeps, blips and deep breakdowns to satisfy modern listeners around the globe. both mixes of lil muffin will get the floor rocking, while cookies is a little lighter on the late night/early morning tip.

born in iran and brought up in denmark, nima has settled in ibiza since 2005. as an omnipresent part of the danish dj-scene and with several releases on out of orbit and his own welt recordings, nima is no newcomer to the game. the title track, ‘jungle boogie kicks it off with a hypnotic mix of rhythm, bass and lots of vocal work. ‘summer love on the flip side is just that a true anthem for the perfect late-summer party, be it evening or early morning

big with: davide squillace, lee burridge, steve lawler, laurent garnier, ante perry,katotte,thomas schumacher, shinedoe..italys young odds label has been gathering a lot of support over the last few years with its string of quality tech inspired release featuring artists such as elia casetti orchestra, the dolphins, ajello, luke solomon and alex dolby. this time its the term of duo martin patino and enzo elia to step up with the release of their >metamorfosi di narciso ep<.enzo elias previous release for the likes of one louder berlin and mantra vibes have seen his standing as producer and dj grow at a rapid rate and teaming up with half pervvian partner martin patino.it seems the pair are determined to further make their mark with this outstanding ep of late nicht electronic club cuts.lead track >metamorfosi di narcisio< is a stripped minimal affair that draws you in from the opening bars.sparse and tight drums lay down the base for a slowly building intense track heavy aon percussion and full of a atmosphere despite its simple and spacey arrangement.

1992 classic house tune!!

a fantastic late night/early morning floorfiller! support comes from agaric, antony collins, martin eyerer, kreon!!

nice westcoast / naked music styled, late night deep house music, very soulful

entertainment is a duo. im a cliché is proud to release their very first e.p on september 29th. juan de guillebon is the bass player. he studied a lot jaco pastorius, but decided not to spend the rest of his life playing in jazz rock combos. you can easily guess his attraction to no wave bands (suicide or james chance), krautrock (his faves are cluster), or ebm and early electro (daf). alongside, hes part of the ectoplasmic band, performing as backing band for tigersushis boss joakim. antoine montgaudon plays the guitar, and we bet he would have fit perfectly in any brian enos late 70s recording. he builds endless psychedelic atmospheres with feedbacks, loops and fxs. all this only with his guitar. hes also part of my sister klaus, a project released on tigersushi (again).

the label boss returns to his own yore imprint with another stunning solo release. these are different times indeed for andy vaz if the eps three mighty jams are indicative of where his musics heading. the a-sides over here (a glance over prime time mix) roars from the very first moment vaz unleashes its steaming, latin-tinged groove. a far cry from the techno the yore label head once issued, the tune finds vaz exploring straight up dancefloor territory with a dizzying house pulse that straight up rocks. melodies and voices rise to the surface of the dionysian broil and then just as quickly recede, leaving room for a driving bass line to gain the spotlight. the flips hurry hurry (before its too late mix) is classic deep house just as one expects on yore. a jazz-inflected strut with tilman ehrhorns sax playing, wailing over waves of rollicking piano playing and spirited vocal chants. the energy level doesnt flag for the discs final track, bygone times (nostalgia mix), which stokes a fiery house swing with its locomotive pulse, futuristic synth patterning, and high-velocity bass lines. vazs music has never sounded more impassioned and energized than it does in these three tracks and consequently, just as one might predict, different times feels like its over far too soon

jorge has been a central figure on the latin-american musical stage since the 80s-first as the co-founder of chiles beloved political rockers los prisioneros, then as a restlessly inventive solo musician and as one half of gonzálo martínez, the experimental electronic duo with dandy jack (martin schopf). now based in mexico city and working alongside loreto otero, jorge presents los updates, a new project combining electro-pop with an unusual approach to minimalist house and techno. designed both as a studio affair and a live performance, los updates expands its collaborative scope by reaching out to a crew of well-known chilean and european musicians who were central to the development of chilean techno in the mid 90s: ricardo villalobos, dandy jack, luciano and tobias freund, all of whom deliver defiantly original remixes across a series of 12-inch singles. tobias. fills the a-side with his remix of >pictures of you< simply one of the most dazzling things youll hear this year. tobias. recent string of work-singles for wagon repair and ostgut ton, as well as remixes for two armadillos and jim rivers-has shown him to be a master of the hypnotic groove, and here he entrances like never before, laying down a stark 808 drum pattern which he threads through dubby keys, analog explosions and liquid bass figures. on the b-side cadenzas luciano is getting late and brings his inimitable touch to the remix of >etting late<. luciano reworks the song into a lean, bleepy groove that marries the cool restraint of vintage dbx to lucianos own effusive style, buoyant and percussive and completely enveloping..

hypnotic late night trax !! with eminor 15 - maze of minds - the eminor crew is very happy to welcome highly talented lazy evaluation on board. with his diversified and significant sounds, >lazy< managed to do two different tracks for two obviously different conditions. each seems perfect and a big enrichment for the world of electronics

continuing the spectacle that is the poker flat tournament series, we present two more surefire lessons in dancefloor mechanics. after his last storming >zeitgeist e.p< for poker flat, londons very own dark knight raudive aka oliver ho has crafted a powerfully hypnotic club tool that truly exists within its own world of unique and unmistakable sound. carefully executed beats roll forward as an astounding landscape of colourful vocal suggestions and emotions swirl and evolve. its a heady, uncompromising track that certainly stands out as its own, but could complement many different dj situations, from driving peak time sets, to free-flowing after-hours sessions… heading up the opposition for looks set to be a fine tournament indeed, minimise head-honcho and continual key-player donnacha costello brings things down and dirty with his unforgiving and foreboding >i must be going<. a catchy proto-acidic bass line snakes a winding path through a dense atmosphere of late-night paranoia. perfectly crafted beats push the energy along with a casual swagger, whilst the pleasingly tripped out vocal undertones leave the imagination to run wild

the second release on the limited >rare< is produced by eintakt matador chris air. chris air discovered his love to minimal music and he likes to push the audience with minimal rhythms and essential basic grooves combined with warm, harmonic elements. atmospheric and deep stuff for listening and playing at late summer afterhours. limited edition of 300 vinyls!

osbornes ruling came out on influential us label spectral sound earlier this year, and has been racking up some fantastic support already. an emotive piece of lush deep house, ruling is an unashamed throwback to the early halcyon days of chicago and new york house music. a perfect slice of deepness for the warmer months...shur i kan is becoming ever present on the nrk roster of late, hes one of our favourite brit producer/remixers, and he stays faithfull to the original mix of ruling here but drags it onto the dancefloor somewhat with some stronger beats and heavier bottom end. king britt, meanwhile, opts for a heady, darker pounding drum remix, with spacious chords and freeform jazz flicked riffs. a little scubambient mix is also included here...

excellent deep grooving 4 tracker by eddie leader!! discreet vocals, rumbling basslines and shark hi hats for early morning/late night club pleasure

koyla, mastermind of russian composer and producer nickolai serbryakov, rips into the electronic scene with his slickly produced acid jazz style sound. the 25 year old producer from st. petersburg drops his first single on bombay&#146,s subdivision manali records &#147,bowel&#148,, a solid deep soulful disco groove. the b side is an in house mix that brings us into a late night bumping funky direction with ambient tripped out textures and hard detroit style chords. koyla and dj primat are true musicians and deserve the fullest respect in this genre, stay tuned for these boys with singles and albums to follow.

maxime dangles sorgt für tollen late-night-techno mit pumpender bassdrum, schiebender bassline und einer smarten sirene, die niemanden nach draussen treibt. neuzugang nicolas masseyeff überzeugt in seinem 10 minuten werk mit leichten progressive-einschlag den man ähnlich bei simon bakers >plastic< gehört hat

4 track chi town style ep for lovers of peaches / derrick carter . baker streets reputation grows with every release and this assured late nite excursion marks them out as a force to be reckoned with

its the new sweetncandy project: >inside< - a dark fantastic peaktime-in-the-club technotrack. >outside< - an open-air-late-summer-brain-washer. supported by: chris carrier, laurent garnier, ewan pearson, technasia , slam, bearweasel, philip sherburne, dan drastic.

rhodes accents and analog synth melodies, while a vocal chorus ups the soul ante during the marching strut of who am i, a beautiful example of timeless house music if there ever was one. in futuristic funk, a looped voice incessantly repeats too late now, thereby adding a touch of delirium to the tunes stomping swing, after which the vocal line expands into the chanted pray for brighter days / too late now / lose myself in the future / too late now. warmed by old-school synth flourishes, congas, and rhodes melodies, millers rich and seductive club music makes surrender the only possible proposition and a release so rarely deep and musical, which is therefore not to be missed.

brazil is on fire! auch dubshape kommen wie gui boratto aus sao paulo! ihre musik ist zwar sehr schlicht, aber mit einer klasse ausgestattet die nach superlativen schreit. >droplets< erinnert an magische momente der vergangenen zwei dekaden von housemusic. es schwingt alles gleichermassen mit wie mr fingers, marshall jefferson, carl craig bis hin zum neueren wie innervision

finally the much awaited follow-up from tyken is here. >every word< was a massive hit in the clubs, charts and on the radio world wide and the duo are back with two followup releases on trunkfunk records. after the huge success of >every word<, with its urban vocals and electronic beats, carl rydén and fredrik nyberg once again turn to some of the finest talents on the swedish urban scene. the first of the two releases is >let it rain< featuring vocalist and >b-boy< adl. adam >adl< baptiste is considered one of scandinavias most influential rappers, winning numerous acclaimed awards for his skills. carl is based in london where he writes and produces for many artists. with previous clients including david guetta, todd terry, eddie thoneick, chris lake, chanel and kenny dope, carl has been the man behind the music for so many chart-topping artists of late. with a chart placing under his belt with the success of bootyluv, carl continues to write for them and is currently working on their second album. fredrik is based in berlin where he runs tykens home label, trunkfunk records

special limited re-issue !! grab your copy befor its too late.. pure peaktime action

straight minimal bingo phunk incl paul mac and rue east remixes / special limited re-issue / grab your copy befor its too late

incl toni neumann & x-press remixes !!

nice price deal !!! slow to speak triumphantly returns from their self-imposed hiatus to refurnish the label gears, reignite the promotional engine & proceed forward full-steam with their latest release, a limited one-sided 12, pressed on 180 gram vinyl with japanese obi and featuring an exclusive sample from the forthcoming second installment of joe claussells >trans.late< mix cd compilation series. nrsb 5 s only dictate is to follow the uncharted. revolving around a determined synth loop, it transforms as it unfolds and reassembles, returning with new determination as it obsessively revisits its own chosen refrain under the skilled hand of the producers manipulative shape shifting. never static, always moving, dodging its own melody to return with the same body beneath a new costume, the rigid, unyielding control remains intact, as each second serves a precise purpose in its masterfully assembled, inter-reliant structure: a beautiful whole, completely unified in its chaotic infinity. add to basket

tim davison delivers his new side project quartech, and the monstrous >cats cradle< in all its main room glory. with its lush strings, driving bassline and trademark percussion, this is a gem to rock the dancefloor. featuring two remixes from infusions jamie stevens, who has been making waves of late with his superb remixes. jamie opts for a driving techno orientated reinterpretation, wih his nine live mix utilising the full strings in the original and his tech dub taking things dirty, deep and slamming

killer minimal techno ep !!! ibiza bomb!!

essential tech-house interpretation of the jazz standard! tip ! at the core of >take five< is a warm, fluttering piano loop that wouldnt sound out of place on a nina simone record. around these rich, faintly jazzy chords, jona builds a thrillingly direct, percussive track which nods to the passion and polish of classic 90s house music. a shuffling snare pattern and a tough, buoyant kickdrum combine with the keys to give the dancefloor a workout it wont forget. this is smart, optimistic stuff from jona, a ready-made soundtrack for hands in the air at late summers parties. >sunset< is a darker but no less seductive affair. its skeleton is a supple, minimalist groove, undercut with a raw, rangy bassline, and topped by tight snares and a steady, sibilant rush of hi-hats.